Superficiality
Chemists now know the coloration for the images is superficial at the topmost fiber surfaces of the cloth. The fibers are coated with a thin film of impurities made up mostly of starch. It is in this coating that the image resides. The visible image is the result of a chemical change, in certain places, that results in an observable change of color.
The coating can be physically removed from the fibers with adhesive tape. In fact, flakes of color can be seen where it separated from the fiber and stuck to tape used to collect particulate samples from the Shroud. You can see the thin coat of color through a microscope and it is hard to imagine how an artist could have accomplished this.
The images on the Shroud look ghostlike. They look scorched into the cloth. But chemically they don't resemble scorches. They don't contain the chemical byproducts produced by scorching.
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Miracle or not
The Image and the Gospels
Rogers on Natural Images
John Jackson on Complexity of Image
Chance and Necessity
Chemograph
Like Rare and Exceptional Art
Was the Body Stolen?
Swoon Theory
In the Wake of a Miracle
Mechanical Transparency
Wild Speculation
Nowheresville
Wormholes?
Ray Rogers Takes Issue
Strange Hypotheses
Angles on the Head of a Pin
A God Who Can Do Anything
Visual Blending
Paints or Dyes
Superficiality
Continuous Tone Negative
The Appearance of Light
No Success Yet in Creating a Similar Image