Paints or Dyes
Nowhere on the Shroud are there sufficient concentrations of paints or dyes to form a visible image. Iron oxide might have formed by retting flax in iron rich water in the production of linen. And just as one finds minuscule particles of iron oxide (rust) in airborne dust, so too might mercuric sulphide be present in dust that settled on the Shroud, once kept in churches and cathedrals with frescoed walls and ceilings. There is another possibility that might well explain the presence of trace amounts of paint particles on the Shroud. Many painted copies of the Shroud were produced. It was, after all, a revered relic. We know from history of a practice whereby artists would touch or rub their paintings on the Shroud for sanctification.
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Miracle or not
The Image and the Gospels
Rogers on Natural Images
John Jackson on Complexity of Image
Chance and Necessity
Chemograph
Like Rare and Exceptional Art
Was the Body Stolen?
Swoon Theory
In the Wake of a Miracle
Mechanical Transparency
Wild Speculation
Nowheresville
Wormholes?
Ray Rogers Takes Issue
Strange Hypotheses
Angles on the Head of a Pin
A God Who Can Do Anything
Visual Blending
Paints or Dyes
Superficiality
Continuous Tone Negative
The Appearance of Light
No Success Yet in Creating a Similar Image