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Superficial

Because both images are superficial (meaning there is no image or colorant of any kind between the two image layers on the extreme outer faces of the cloth) and because the images are in registry with each other, all so-far-proposed fakery proposals are moot. The images are not paintings and not some form of medieval proto-photography.

When the Shroud was examined in 1978, the backside of the cloth was not accessible. At that time, the Shroud was sewn to a backing cloth. Quoting from the IoP press release of April 14, 2004:

Because the images are extremely faint, the duo [Fanti and Maggiolo] has used an array of image-processing techniques -- including Gaussian filters, Fourier transforms and template matching -- to highlight human features.

 

They found that the face of the man that can be seen on the reverse of the Shroud matches that observed on the front. The image shows faint details of a nose, eyes, hair, beard and moustache . . . The Italian duo was also able to make out weak images of the man's hands, but could not produce images of his shoulders or back.

 

These new findings could help to shed light on the origins of the cloth but are more likely to fuel further debate over it. In 1989 (sic 1988), carbon-dating techniques revealed that the Shroud dated from medieval times and therefore could not have been used to bury Christ. However, many scientists have argued that the carbon-dating techniques used to study the Shroud were flawed.

 

Fanti and Maggiolo are now saying that the Shroud is unlikely to be a fraud because the image of the face is superficial on both sides of the cloth and only involves the topmost fibres of the material. "It is extremely difficult to make a fake with these features," says Fanti. 

 

While this discover of imaging on the backside of the cloth makes artistic and photographic methods significantly more implausible, it does lend credence to the possibilities that gaseous amines released by the body reacted with the carbohydrate layers. Some gases would have penetrated through the weave of the cloth and reacted with the backside carbohydrate layer. (And it does not rule out miraculous cause or effect).

 

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Seeing Teapots
The Retina
Edge Enhancement
Definition of an Edge
Recalling Constantine VII
Sense of Three Dimensionality
Who Invented What?
The Element of 3D Perception
The Play of Light
The Importance of the Play of Light
Techniques of Artists
Direction of Light
What Do We Think 3D Is?
Scientists Mean Something Else
I Think Therefore I Am
Adding in Z
Plotting in Space
Avoiding Confusion
Rendering on a Computer
The Legend of the Teapot
Artificial Light
Topography
The Height Map
Height Data vs Body Distance
Gabriel Quidor
VP-8 Image Analyzer
Body to Cloth Distance
Picknett and Prince and 3D
Caused by a Lengthy Exposure in the Sun?
Why Picknett and Prince Are Wrong
Cyberspace Speculation
Adjusting Scale
Thanks to Nicholas Allan
The images, closely examined with the aid of microscopes
One Straw-Yellow Color
Pixel, like salt, means different things. Each
Pixels in Photography
Pixels in the Shroud Image?
One Color, Different Density
Impurity Layer Disputed
Small Measurements
Flax Fibers
Chemical Changes and the Impurity Layer
Maillard Reaction
Rogers Theory about Saponaria officinali
Cadaverine and Putrescine
More Image Attributes
Saturation
The Second Face
Superficial
Mind Numbing Realism
Misconceptions About Post Mortem Blood Flow
Hard to Imagine Art in the Realism
Pathological Detail
Crown of Thorns
Wrist Wounds
Without Precedent
Blond Hair Issue
Hair Color Has Nothing to do with Light
Not Really Gaunt
Banding Again